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The film was selected as the Russian entry for the Best Foreign Language Film at the 86th Academy Awards, but it was not nominated. The film was released in September 2013 in Volgograd (formerly Stalingrad) and October in Russia before its international release in subsequent months (all releases were handled by the foreign-language arm of Columbia Pictures).
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It was the first Russian movie released in IMAX. Into the Darkness is just that sort of film.Stalingrad ( Russian: Сталинград) is a 2013 Russian war film directed by Fedor Bondarchuk. The family are torn apart, the inevitable love affairs are evenly divided between the forces and more than a few family dinners will dissolve into tears and shouting well before the jelly and ice cream have been served. Is it “collaboration with the enemy”, to be so pragmatic in war time? At least one of Christensen's children think it is.
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Which is probably just as well, as the film does come to a fairly shuddering halt with an entire craft shop's worth of loose ends still waiting to be tied up.īut, on the way there, we have seen the great Jesper Christensen ( Quantum of Solace), playing a wealthy industrialist, deciding to throw his lot in with the invading Germans, so that at least his factories can stay open and his staff will remain employed. Refn – who, yes, is the dad of Nicolas, who made Drive – has a 55-year career behind him, and at least one sequel to Into The Darkness still to come. * The Climb: How a tale of two friends bickering became a small marvel of a movieīut, if you happen to have the great good fortune to be Danish and you are one of that gorgeous country's most respected film-makers, then you might even be encouraged to have a decent dig under the national scar tissue, and to perhaps come back with an over-stuffed, frenetically busy, hugely talkative, but always watchable and engaging yarn about one family's fortunes of war.Īnd, it happens to be that Anders Refn is that film-maker, and Into The Darkness is that film. * Cunningham: Portrait of a modern dance legend soars when focusing on his work * Honest Thief: Shoddy script leaves Liam Neeson floundering in dull actioner * Dick Johnson is Dead: Netflix's defiantly eccentric and unruly gem of a film But, it is at least either half an hour too long or too short, depending on your level of engagement with what is happening up on the screen. Into the Darkness is an undeniably well-made and well-intentioned film. If you or I were to make a film in America or Britain today, that pointed out the patently obvious truth that the war was not universally popular, that many people thought surrender or an alliance with Germany was the only way forward and that anti-semitism and racism were most definitely not confined to only those bits of Europe that called themselves German, we would be accused of a lack of patriotism at best, and would probably be lucky to scrape up any sort of distribution deal, online or off. Which is why the genre, once an absolute staple of the Brit' and American film industries, is these days relegated to the ranks of “world” – i.e non-Hollywood – cinema, and is usually produced by countries who have not yet completely set in stone the myths they tell themselves about their own experience of war. Seriously, who doesn't like to spend a few hours or more in front of a sprawling, lengthy and only occasionally preposterous wartime drama?Īctually, most of us. Into the Darkness (M, 152 mins) Directed by Anders Refn ***½
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Into the Darkness is now screening in select cinemas.